In South Africa under the presidency of Jacob Zuma, any analysis of government and governance without factoring sex into the mix was tame and lame. Zuma was a notorious polygamist who had six official wives as president, many more by unofficial account and 22 children from the liaisons. He was a kingpin of lechery. On May 8, 2006, a South African court under Judge van der Merwe acquitted him of rape of Fezekile Ntsukela Kuzwayo, an HIV-positive AIDS activist, who was the daughter of his friend, Judson Kuzwayo. During trial, Zuma pleaded that the sex was consensual but admitted that he had unprotected sex with the lady. He then stunned the world with his bizarre claim that he had “showered afterwards to cut the risk of contracting the infection”.
In the process of studying power relations in Nigeria, sex as a phenomenon is often understudied or underrated. In other words, while power relations are known to be shaped by a complex interplay of factors that range from the economic, political, social, to the cultural, including individual characteristics and relationship dynamics, hardly are gender and sex reckoned with.
In my piece of March 6, 2022 with the title, Buhari’s Serial Rape Of Nigeria’s Lady Justice, I doubled down on a sub-theme of the powerful role sex plays in national politics. To do justice to this, I recalled a September 7, 2008 cartoon sketched by Jonathan Shapiro, award-winning cartoonist with the Johannesburg-based Sunday Times whose cartoon identity was Zapiro. I illustrated the piece with a submission that though political cartooning may look harmless, it can be nerve-racking, provoking the bile of political officeholders and triggering a huge political umbrage in the process. This cartoon triggered a huge ball of fire in South Africa. Named ‘Rape of Lady Justice’, in it, Zuma, who was then leader of the African National Congress (ANC), and later to become president, was seen loosening his trousers’ zippers for a sexual romp. On his head was a shower cap. Before him, flung on the bare floor, was a blindfolded lady with a lapel inscribed, “Justice System” hung on her chest.
Four hefty and menacing-looking men knelt by the Lady Justice’s side, holding down the “wench”, whose skirt was half peeled off. They were political surrogates of Zuma in the ANC, which included Julius Malema, then leader of the ANC Youth League. The scale of justice had fallen down beside the Lady Justice, with one of the men smilingly beckoning on Zuma to clamber her, muttering, “Go for it, boss!”
That cartoon shot Zuma into a fit. Indeed, he immediately sued Zapiro for the sum of £700,000. Massive reactions followed it, ranging from the condemnatory to the laudatory. The ANC, SACP and ANC Youth League pilloried it as “hate speech,” “disgusting” and “bordering on defamation of character” and then petitioned the South African Human Rights Commission for redress.
I went into all these dogo turenchi, just as I did in another piece I wrote on February 6, 2022, to ask that we must not underrate the power of sex in high places. In that February piece, I borrowed a line from Irish poet and playwright, Oscar Wilde, who said, “everything in the world is about sex, except sex. Sex is about power”. With it, I submitted that the Wilde theory should tell us that there is an intersection between gender, sexual power and political power. This was further escalated by renowned scholar, Prof Wale Adebanwi, in one of his journal articles, where he submitted that “the African man of power must display or exhibit his virility – particularly sexual virility.” In the same vein, Zimbabwean journalist and blogger, Fungai Machirori, urged us to study the sexual histories of our men in power because, from the rhythm of their silently dangling penises, we may find a compass to their politics.
Last Thursday, the ghost of the spat between Senate President Godswill Akpabio and senator representing Kogi West, Natasha Akpoti-Uduaghan, seemed to have rested. In the relations of power in the senate, on that day, Akpabio, it will seem, had succeeded in showing Akpoti-Uduaghan that, as bland-looking as the old Nigerian pence looked, it was not a currency to be trifled with by the Kobo coin (Bí tọrọ ṣe yọ to, kíì s’ẹgbẹ Kọbọ). Not only was she suspended for six months for violating senate rules and bringing the senate “to public opprobrium”, her salary and security details were withdrawn while her office would be locked during the pendency of the suspension.
If you watched the senate proceedings leading to Akpoti-Uduaghan’s suspension, you would be sorry for Nigeria. Then, African-American Sterling Brown would come to your mind, just as you visualise Jonathan Shapiro’s cartoon in Akpabio figuratively loosening his trousers’ zippers for a forceful sexual romp with the Lady Justice. With same lens, you would see Majority Leader, Opeyemi Bamidele, Adenigba Fadahunsi and other fawning senators holding down the “wench”, smilingly beckoning Akpabio to “Go for it, boss!”
Like Africans, African-Americans grew to know the wisdom which teaches that injustice is a furnace that burns and destroys. The life of Sterling Brown, professor at America’s Howard University, folklorist, poet and literary critic, was chiefly dedicated to studying black culture. In one of his poems entitled “Old Lem,” Brown wrote about mob violence and injustice which black people suffered in the hands of the American criminal justice system. American writer and civil rights activist, James Baldwin’s ‘The Fire Next Time’ also speaks to this theme. In the America of the time, black parents, aware of the danger of their blackness and the violence and death they could suffer, deployed folklore to cushion them, even as they told stories that depicted their skewed realities.
There was this famous folklore told to African-American children while growing up. Entitled “Old Sis Goose,” it goes thus, as I reproduce it verbatim: One day, “while swimming across a pond, Sis Goose got caught by Brer Fox. Sis gets pissed off because she believes that she has a perfect right to swim in the pond. She decides to sue Brer Fox. But when the case gets to court, Sis Goose looks around and sees that besides the Sheriff who is a fox, the judge is a fox, the prosecuting and defence attorneys are ones too and even the jury is comprised entirely of foxes. Sis Goose doesn’t like her chances. Sure enough at the end of the trial, Sis Goose is convicted and summarily executed. Soon, the jury, judge, Sheriff and the attorneys are picking on her bones.”
The morals of this old anecdote are two. One, as encapsulated in one of the lines of Apala musician, Ayinla Omowura’s track, is that, if you do not have a representative in a council where your matter will be decided, even if you are right, you would be adjudged guilty. The second moral is that, if the courthouse is filled with foxes and you are an ordinary, lonely goose, there will be no justice for you.
In the senate last week, Akpoti-Uduaghan was Sis Goose who looked around and saw that, beside the judge, Akpabio who is a fox, the prosecuting and defence attorneys were all foxes, too. Even the jury is comprised entirely of foxes. Though they appeared as unbiased umpire senators, they were flesh-starved foxes baying for blood of the hapless little Goose. And Sis Goose was summarily executed.
First, we must realise that, just like other Nigerian institutions, the power, glory, graft and corruption at the beck and call of Akpabio’s senate presidency is breathtakingly awesome and humongous. Don’t mind his suffocation of these agencies in his most times nauseating jokes, Akpabio has the power to literally turn anyone’s night into day. If you enter his senate as a pauper and find favour in his ego, you could upstage Mansa Musa, ninth Mansa of the Mali empire’s wealth. Owing to this largesse in his hands, as ants gravitate towards the pee of a diabetic, the senate president has the pleasure of a humongous number of solicited and unsolicited fawners and senatorial Oraisa (praise-singers) and hangers-on.
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